Well behaved baby |
This was my first portrait session with a baby. He was a remarkably well-behaved baby. I was able to photograph him for about 45 min before he got cranky and tired and started screaming and crying. That's better than most adults do.
One way to keep a baby still: swaddling |
There's an added level of creativity with portrait shoots, because I have to pose the subject. With an adult, it's easy enough to say, "lean on your elbow" or "look over there," but babies don't really respond to instruction. And I don't really know about babies in general to feel comfortable moving or positioning them. So a lot of it is making suggestions to the parents or taking suggestions from the parents, and then hoping for the best.
Love the "catch light" in the eye |
The benefit of shooting portraits is the subject remains relatively still, so I have more time to adjust settings, check images, and redo shots. The disadvantage is that there is less margin for error. If I'm shooting a couple dancing, I can have a little motion blur. Sometimes, it's advantageous. But with a portrait, it has to be perfect. Sometimes just shooting numerous frames increases the chances of getting a keeper. But sometimes I shoot a bunch of frames, and I don't realize that there is a chair in the way, or I've cut off an arm, until I look at the images on the computer screen.
Detail Shot |
I found that detail shots like this one work really well. In fact, looking back at the album, the comparison of the adult hands with the child's hands/feet/body work really well. I'll have to remember that for the future. As it turns out, this shot wasn't planned at all. I saw it, shot it, and it came out well. A lot of this is just luck. And a lot of luck is knowing how to capitalize upon an opportunity.
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